Best Folk Act - Atlanta Magazine
Bio, Highlights, Quotes,
Performances
BIO
“Caroline
Aiken, often sighted as one of the cornerstones of the Decatur folk
movement, has long been at the forefront of modern folk and acoustic
expression, … and her
soothing, fine wood-grain voice purrs with a youthful innocence one
minute, then growls like a wise old blue singer the next, marking each
song with her trademark, time-honed stamp of quality...”
- BY LEE
VALENTINE SMITH
Caroline reveals her musical talents far and
wide, having roots in every corner of the country, and an ever-increasing
core of fans. She has recorded with and shared stages with The Indigo
Girls, Bonnie Raitt and has been a guest
performer at major venues with them such as San Antonio’s Majestic
Theater, Denver’s Red Rocks, and Berkeley’s Greek Theater.
Caroline’s busy performance schedule has recently had her headlining at
the Kerrville TX’s Music Festival (Main Stage since ’95); Seattle’s
Bumbershoot (since ’96); Folk Life Festival (since ’76!); NY’s
Falcon Ridge; Northern California’s High Sierra Music Festival, and many
more venues, both nationally and internationally. Radio stations across
the country, (WUMB Boston, WUSB Stony Brook, KVMR Grass Valley, KPFA
Berkeley, just to name a few), are playing selections from her latest CD,
“Are We There Yet, Mama?”, (May 2005). The CD is selling like hotcakes
on CD Baby - partially due to the excitement surrounding the fact that it
has been submitted to be nominated for a Grammy! The new CD includes
recordings from a live theater performance recorded Feb 05, eight new
original compositions, as well as songs from five great writers from
around the country.
Performing
Songwriter Magazine will
feature Caroline in NOV ’05
issue as “DIY SPOTLIGHT” for
“ARE WE THERE YET MAMA?” and picked both Live
Bait, (1995) and Butler Field,
(1997), as one of the top 12 “DO IT YOURSELF” independent CDs. CA
truly embodies the meaning of an independent musician – acting as her
own manager, booking, publicity and travel agent, in addition to
production and mastering of her own latest CD. She works hard promoting
her music by performing at major festivals, theaters, music series, house
concerts, live radio and features in national and international press.
Caroline is a featured performer for ‘Spotlight on Songwriters’, aired
in USA and Europe; “Acoustic Café” radio show, heard on 60 commercial
radio stations in the US as well as 800 Voice of America Stations around
the world. An hour-long “Caroline Aiken Special” aired statewide on
Ga. Public Broadcasting in 2004. She owns “Glutton For Publishment”
record label, and has produced 6 independent Caroline Aiken CDs, as well
as a 2001 CD ROM for the Atlanta Dogwood Festival.
Her finger picking style won an
invitation to Stuttgart Germany Guitar Seminar, May 2006, which gives her
the honor of being the first woman invited to teach at this event.
Atlanta
Magazine calls Caroline the “BEST ACOUSTIC ARTIST”
(June 2003 GA MUSIC pictorial feature) and includes her full page picture
next to Curtis Mayfield, Gladys Knight, The Black Crowes, the Indigo
Girls, IndiArie, and many more.
Atlanta’s Piedmont Review Magazine features Caroline with
Jennifer Nettles of Sugarland on the
cover in 2003. (See website for photo)
Blue Suede News
says; “Caroline tears her 12 string a
whole new consciousness”.
Caroline’s
honors include performances opening for Mother’s Finest and the B52s
at the GA Music Hall of Fame as well as her own shows at the hall
(2004-06), her very own display box in the Atlanta Hard Rock Café’s
‘Atlanta Rhythm Section’ Room (2003). Invited to perform at the
Troubadour in LA with Martin Sexton by the National Songwriter’s
Association in 1998. The Coca
Cola Awards nominated her as the best acoustic guitar player/vocalist in
Atlanta (1993-4).
In 2004, She received a prestigious endorsement from Martin
Guitars and Strings, and won a 1000
CD manufacturing certificate from Discmakers through CAMPJAM
In The Pines/ NJ. Voila- “Are We There Yet Mama?” was born.
Her performances, direct and sincere, are known for emanating a high level
of infectious energy, and those that have heard her perform live, leave
wanting more. Her genre spans
many styles, from rock/blues/folk/country, piano ballads to finger style
guitar picking, all accompanied by her rich and soulful voice. She is an
accomplished and diverse musician, being at home on both guitar and piano.
2005 has seen the live recording “Are We There
Yet Mama”; the completion of the 2005 Atlanta Dogwood Festival; a
driving tour with many shows and radio play across the USA; headlining the
famed Kerrville Folk Festival with Freebo, (early years bass payer for
Bonnie Raitt), and Joel Tepp, (LA guitarist and multi-instrumentalist).
2004 saw the
completion of a 30,000 mile USA driving tour, crossing the country 4 times
during April-Oct, performing over 150 shows, followed by a 5 week European
tour in Nov and Dec.
Her career spans 36 years, starting on
the coast of Georgia with musical influences from Emma Lee Ramsey of the
Georgia Sea Island Singers. In 1969, she found herself in NY playing in
her first rock band “Father Time”, then touring in California during
the early 70's, followed by performing in South America from ’73 -‘74,
to the streets and venues of Seattle in the mid 70's, heading East to
Greenwich Village in the early 80's and finally full circle, back in
Atlanta. Since 1986 her base has been Atlanta where she is has received
numerous accolades. She has caught the ears and hearts of everyone who
hears her, including Bonnie Raitt. She opened shows for Bonnie in 1985,
and Bonnie performed on Caroline’s first recording in 1988, Line
Of Vision. In 2002 and
2003 Bonnie Raitt introduced Caroline to the Austin and San Antonio scene.
Caroline heard the Indigo Girls in 1980 in an alley behind Good Old Days
in Atlanta practicing a CSNY song. When she put a third part harmony on it
- they became friends. CA invited them on to her stage when they were
16-17 years old and sang on the Indigo Girls’ first recording (song-FINLANDIA)
and toured with them nationally in 1992 – 1994 and 1997. In ’95, she
played four separate roles in JESUS CHRIST SUPERSTAR, starring the Indigo
Girls.
In addition to
her busy tour schedule, Caroline was the Entertainment Director for the
Atlanta Dogwood Festival from 1992-1994 and 1996-2005.
She brought the Dogwood Music to state-wide and national awareness
by booking regional and national acts such as Dave Mason, Chuck Leavell,
Vassar Clements, B52s’Cindy Wilson, Martha Reeves, Derek Trucks,
Mother’s Finest, many Grammy-winners and Rock and Roll Hall of Famers.
Caroline is also a talented and gifted teacher and has taught her courses
“Zen And The Art Of Performance”; “Songwriting In Your Sleep” and
“Guerilla Guitar Works” at many venues, colleges, music stores,
festivals, and one on one. She has taught
at Summer Songs / CA. Swannanoa Gathering / N.C., South Florida Folk
Festival, Lamb’s Songwriters’ Retreat / Michigan. Caroline will be
teaching this May 2006 at the Schorndorf Guitar Festival, this will make
her the first female ever invited to teach and perform at this prestigious
event.
See www.carolineaiken.com
for booking info, tour listing and CD releases.

|

(Caroline at the age of 15 in
"Father Time" 1969 Long Island, N.Y. – picture by Rich
L’Hommedieu, Long Island Entertainment Magazine and then bass player
in the band) |

(photo by Susan Roads)
|
After 30+ years of
performance under her belt, with musicians like Muddy Waters, Randy Newman,
Bonnie Raitt, Allen Toussaint, Leo Kottke, Taj Mahal, John Prine, Hot Tuna, Janis Ian, Rory Block, Indigo Girls, Sea
Island Singers, Art Garfunkle, John Hammond Jr., Mother's Finest,
David Bromberg, Louden Wainwright III, 38 Special, Little Feat
Reunion, Doc Watson, Dave Mason, Arlo Guthrie, Dave Mason, Jerry Jef
Walker, Steve Forbert
, Dan Fogelberg, and many others, Caroline says "Now it feels like
flying." Caroline has served as an inspiration for a generation
of artists, including the Indigo Girls. Her live performances are
astonishing and she is known for her ability to "Jaw drop a
crowd" with her soaring dark hued voice, spellbinding guitar work
and her powerful stage presence.
HIGHLIGHTS
JUNE 2003 ATLANTA MAGAZINE MUSIC EDITION
FEATURES FULL PAGE PHOTO OF CAROLINE WITH CURTIS MAYFIELD, GLADYS
KNIGHT, THE INDIGO GIRLS, THE BLACK CROWES...
PIEDMONT REVIEW MAGAZINE APRIL 2003 COVER
FEATURES CAROLINE AIKEN AND JENNIFER NETTLES!
GEORGIA
MUSIC HALL OF FAME
PERFORMANCE WITH B52’S AND MOTHER’S
FINEST
Check out the display case with a dress
she wore on tour with Bonnie hanging in the Atlanta Hard Rock Cafe, in the
"Allman Bros. Band" room.
FEATURED
IN GEORGIA MUSIC HALL OF FAME CALENDAR
QUOTABLES
Amy Ray of the Indigo Girls - “Caroline is the first musician to
take me in…she has
wisdom and she shares it.”
Marilyn Rae Beyer,
Programming Director of WUMB Boston -“Big voice, big guitar, big talent.”
Pierce
Pettis, Grammy
nominated writer and performer - “She’s dangerous. She’ll blow
the doors off the place.”
Victory Music in
Seattle- “Sensual voice, expert guitar, masterful songwriting."
Freebo,
"Caroline is a
phenomenal guitar player, a singer with exceptional pitch mixed with a
deep, soulful, bluesy style, and she writes great songs. Besides this
excellent combination of elements, her performance and demeanor will
completely captivate you. We did a house concert together and she blew
me away…I’m a huge fan.”
FREEBO (played bass and tuba with Bonnie Raitt
for many years)
"An Impressive
Talent" Dayton Daily
News
|
"Leaves
One Hypnotized" Austin Chronicle
"An
Exceptional Voice" Lady Slipper
|
"Performance Is
Perfectly Captured" (on CD) University Reporter
"Really Has Something To
Say" Dirty Linen
“…extraordinary ability
to jaw-drop a crowd with her monster truck powerful performances. Her
ultra-sizzling voice and use of dynamics borders on eroticism and sets
her apart from other solo performers. The affect is astounding.
Witness this stand alone performance for yourself.” Tacoma Music
Review
Caroline
has independently produced 5 CD’s: “Line of Vision (88),
“Dancing With Danger (91), Live At the Attic (93), Live Bait (95),
and Butler Field(97 on SW records) and UNSHAKEN (02)
“Live
Bait” and “Butler Field” were chosen by Performing Songwriter
Magazine as top “Do-It-Yourself” releases. They have garnered
national critical acclaim and placed in rotation on stations across
the country.
PERFORMANCES
South Florida Folk
Festival * Eddies Attic *
Atlanta Dogwood Festival *
Kerrville TX Main Stage * Georgia Music Hall Of Fame, Macon, Georgia
Opening
for the B52s!!! and Mother’s
Finest!
* The Harvest Festival - Georgia * New
Orleans By The Bay * Shoreline Amphitheater * Bele
Chere, Ashville-NC * NEA- Nashville * High Sierra
Festival-CA * Bumbershoot Seattle-WA
* Oregon
Country Fair, Eugene-OR * Zambiland Atlanta
*Freight and Salvage
Coffeehouse, Berkeley-CA * The Sweetwater, Mill Valley-CA
* Red Rocks, Denver-CO * The
Contintental, Austin, TX * Fox Theater, Atlanta-GA
* SXSW- The Driscoll
Hotel, Austin-TX * Lakewood Ampitheater, Atlanta-GA
* The Ark, Ann Arbor-MI * The
Roxy, Atlanta-GA * Johnny D’s, Sommerville-MA
* Chastain
Park - Atlanta * Club Passim, Boston- MA * Greek Theater,
Berkeley-CA * Café
Lena, Saratoga Springs, NY * Santa Barbara Bowl,
Santa Barbara, CA * The Bluebird Café, Nashville, TN
* Florida Theater,
Jacksonville, FL * Falcon Ridge Folk Festival, Hillsdale NY
* The Troubador, Los
Angeles, CA * City Stages, Birmingham, AL
* Antones, Austin, TX * Midtown Music Festival, Atlanta, GA

(photo
by Richard Cucarro)
© 2005
Caroline Aiken, All rights reserved
Brilliant
Productions